Subscribe to:
Post Comments (Atom)
skip to main |
skip to sidebar
TEMPORARY AUTONOMOUS BOOKSTORE 06|07|2009 - 08|04|2009
- DESCRIPTION
- Anticipating the departure from his loft on Fulton Street in the Financial District of Manhattan, Jeffrey Perkins has gathered material from his extensive collection of extremely rare books, records, posters and other ephemera; to make available to the community at large. Setting up a temporary space for the presentation and sale of available pieces, the store will formally close on August 4th. All content will be updated daily. By appointment only. 212 964 4195
INVENTORY
-
▼
2009
(30)
-
▼
Jun
(30)
-
▼
20
(14)
- STEAMSHOVEL PRESS | 2000
- VAGUE RFA ISSUE
- TED JOANS | ALL OF ... AND NO MORE
- FANZINI
- SPECTACULAR TIMES
- AVALANCHE | WINTER 71
- ENZO CUCCHI | NEW WORKS
- VILE MAGAZINE | 1975
- SPECTACULAR TIMES
- FARIMANI | ISSUE #1
- AVALANCHE | SUMMER 72
- NAM JUNE PAIK | EINE DATA BASE
- GEORGE MACIUNAS | FLUX PAPER EVENTS
- FLUXUS AT MOMA
-
▼
20
(14)
-
▼
Jun
(30)
Fluxus-blitz Pino Boresta
ReplyDeleteAuditorium Parco della Musica (Rome)
BIENNIAL Fluxus - After Fluxus
20:30 Friday, February 26, 2010
Psychic Interview # 2
Interviewed by George Maciunas Ramundas MalaĊĦauskas
As soon as I arrived, I quickly visited the room dedicated to Maciunas and when Lucio Perotti started to play the piano a large number of people made a semicircle around him. After the first tune I realized that it was my turn in the show. I took off my jacket, I stood next the piano and pianist and started jumping and screaming "Be happy, there is Maurizio Cattelan .... be happy, there is Maurizio Cattelan .... “ No one stopped me and the pianist continued to play, so the public did not understand if this was part of the performance or not. After a couple of minutes someone of the organization asked me very politely to stop. Nevertheless I was almost passing out from the effort. I pointed at my watch to tell her that I had nearly finished my blitz-perfomance. So I kept it up again for another couple of minutes. When I was almost exhausted and I stopped, unexpectedly the entire audience cheered me by clapping.
When I sat, visibly tired, on a chair in the foyer of the Auditorium, someone asked me why I had made that action… I replied that it was, certainly, a tribute to three brilliant minds such as George Maciunas, Simon Cristicchi and Maurizio Cattelan but anyone could draw their own conclusions.
Pino Boresta